John Simm in Intruders. 

(x) and (x)

1 week ago 127 notes

peterpopper:

Entertainment Weekly interviews John Simm, James Frain and Mira Sorvino about Intruders and their experiences at San Diego Comic-Con.

3 weeks ago 26 notes

John Simm, Intruders (Comic-Con 2014 Press Room)

3 weeks ago 41 notes

missperkigoth:

Here are my favorite 10 shots from the Intruders Conversation for a Cause at Nerd HQ. It was a great time for a great cause! All proceeds went to Operation Smile, and that’s freaking rad on its own. I officially love Mira Sorvino and her adorable Trekkie self. And yeah, James Frain needs to do every panel ever. So much love everywhere in that space! 

(via triahna)

3 weeks ago 36 notes

thoscheiongallifrey:

John Simm // Nerd HQ panel // SDCC 2014 

Can I just say that I very much approve of the socks, Mr.Simm?

3 weeks ago 123 notes

2014 Summer TCA Tour

Photography by Maarten de Boer

1 month ago 60 notes

ATTENTION!! JOHN SIMM’S FANS

depechenuta:

John’s birthday is coming! And we need your help!
Fans from Manchester who have bicycle and camera!!

Please contact:
simmnews@mail.ru

Reblog it, just spread it…

2 months ago 2 notes

f-l-e-u-r-d-e-l-y-s:

Sculpture by Beth Stichter  ‘The Four Humors’

Sanguine :  Too much blood - Passionate, Bold,impulsive
Melancholic :Too much black bile - Depressed, anxious, moody Choleric : Too much yellow bile - Irritable, hostile, bitter
Phlegmatic : Too much phlegm - Passive, introverted, rational

  The Four Humors is a body of work spanning 2009-2010 which examines the history of scientifically categorizing human behavior, specifically the particular theory of understanding  human psychology invented by the Ancient Greeks.
“Essentially, this theory held that the human body was filled with four basic substances, called four humors, which are in balance when a person is healthy. All diseases and disabilities resulted from an excess or deficit of one of these four humors. The four humors were identified as black bile, yellow bile, phlegm, and blood.
When a patient was suffering from a surplus or imbalance of one fluid, then his or her personality and physical health would be affected.”

(via asylum-art)

5 months ago 5,435 notes
5 months ago 166 notes

f-l-e-u-r-d-e-l-y-s:

Beth Cavener Stichter & Alessandro Gallo Collaborate on Ornate Sculpture:‘Tangled Up in You’

Beth Cavener Stichter’s sculptures have an intensely-visceral quality. The ceramic animals she hand-builds demonstrate an human-like sense of understanding with their sensitive gazes and anthropomorphic eyes. But despite their thoughtful countenances, these characters are also perfectly at home in their animal skins. Cavener Stichter’s work does not shy away from the brutality of the animal world, from its untamed sexuality to its endless cycle of predator and prey.

She recently collaborated with Italian artist Alessandro Gallo , who embellished her latest sculpture, Tangled Up in You, with painted tattoos reminiscent of traditional Japanese tattoo art. The 65-inch-tall sculpture (15 feet total, from the top knot of the rope to the floor) shows a lanky rabbit intertwined with a snake in mid-air. It is unclear whether the two figures are caught in a struggle to the death or a passionate embrace. Tangled Up in You is currently on view at the Milwaukee Museum of Art. Take a look at some detail shots of the elaborate piece as well as some photos of Cavener Stichter in her studio.

A giant sculpture by Beth Cavener Stichter with tattoos designed and painted by Alessandro Gallo.

‘Tangled Up in You‘ is currently on view at the Milwaukee Museum of Art

(via asylum-art)

5 months ago 4,705 notes

lecterwill:

you’re sinking Will, just let that sink in

(◕‿◕✿)

(via tumblebuggie)

5 months ago 6,174 notes

f-l-e-u-r-d-e-l-y-s:

Tommy Ingberg Photography

Tommy leaves the interpretation of his work up to the viewer but says, "For me, surrealism is about trying to explain something abstract like a feeling or a thought, expressing the subconscious with a picture. The Reality Rearranged series is my first try at describing reality trough surrealism. During the two and a half years I have worked on the series I have used my own inner life, thoughts and feelings as seeds to my pictures. In that sense the work is very personal, almost like a visual diary. Despite this subjectiveness in the process I hope that the work can engage the viewer in her or his own terms. I want the viewers to produce their own questions and answers when looking at the pictures, my own interpretations are really irrelevant in this context. "

(via asylum-art)

5 months ago 1,122 notes
23rd
March
25 notes
Reblog
If you are bored right now…2048: Life on Mars (UK) Edition ;)

If you are bored right now…2048: Life on Mars (UK) Edition ;)

5 months ago 25 notes

The flawless performance delivered by John Simm immediately made Gibbs one of my favourite villains on stage. :)

5 months ago 129 notes

8 examples of why Steven Moffat is NOT a feminist

Gif 1: Fetishizing motherhood and reinforcing patriarchal binaries and hierarchies—So much wrong with this one. The Doctor argues that mothers are “more than female”—i.e., better than—those who are not. It plays into pernicious patriarchal myths that women aren’t really women until they’ve given birth, until they’ve had children. Not every woman wants children. Not every woman can have them (for a variety of reasons—including (duh) the fact that some women don’t have uteruses—they’ve had them removed, or they just have penises instead). It doesn’t make them in any way inferior to those who do.

Additionally, he asserts that women are better than men, which simply reverses the patriarchal binary and thus evinces a fundamental misunderstanding of what feminism is. Feminism holds that everyone is equal, members of every gender, not that one gender is better than all of the rest. That’s a patriarchal notion. Hierarchies are patriarchal—privileging certain groups of people over others. Communities where everyone is equal, valued, and respected are feminist.

Gif 2: Reinforcing patriarchal stereotypes of women as irrational, overly emotional beings, while men are, of course, the sane, rational ones, which is generally used to justify the notion that women should be denied positions of power. “It all makes sense to her”—i.e., women apparently have some strange sort of emotion-driven non-logic that is fundamentally different from that of men, and that compels them to want to seduce/marry men and then, like the flighty, irrational creatures they are, want to kill them on a whim. This moment is deeply and unforgivably misogynistic.

Gifs 3 and 4: Romanticizing stalking—Both these women, Kathy Nightingale and Madge Arwell, eventually married the men who were stalking them, which sends the message that stalking is normal, romantic, and acceptable. Also, what if Madge had said no to marrying a complete stranger who finds it acceptable to stalk young women who are walking home alone through fairly isolated woods? Would Reg really have kept stalking her—a complete stranger—until he coerced her into agreeing to marry him?

Gifs 5 and 6: Victim-blaming and contributing to rape culture—In Time, Rory drops a thermocoupling after looking up Amy’s skirt, and Amy, Rory, and the Doctor all place the blame on Amy for wearing a skirt rather than Rory, who apparently has zero self-control (also problematic), or the Doctor, who seems not to have entirely thought through the potential ramifications of having a glass floor. And in gif #4, from Space, the Doctor’s ultimate solution to the problem is to order Amy to change into more conservative trousers—i.e., policing a female body—rather than urging Rory to exhibit some self-control. Or altering the desktop theme so that the floor is no longer transparent. The fact that Amy immediately accepts the blame without attempting to argue for a moment is particularly sickening. Essentially, then, this entire skit contributes to rape culture.

Gifs 7 and 8: Demonizing women, which has been par for the course in patriarchy since biblical Eve was first vilified for biting the apple. The implication that River’s attractiveness is why she is “hell” is therefore fairly problematic, since it is rather explicitly harking back to those patriarchal myths, as is the Doctor’s tacit endorsement of the medieval monk’s fear of women. Why did he not correct or contest the monk’s rather terrified reaction at learning that the Doctor was conversing with—the horror!—a woman? A simple, “No. No. Don’t be silly. Women aren’t evil at all.” from the Doctor would have been enough. Also, back to gif 7, how exactly is River’s attractiveness at all related to her decision to save the Doctor’s life? Are they implying that it is because she is sexy that she is so dangerous, which is incredibly misogynistic? The Doctor and Churchill are objectifying and belittling her by speaking of her in such a way. River, like every other woman/being in the universe, deserves more respect. To be treated like a human being, not a piece of meat. If Rory had been the one inside that suit, would they be speaking of him so dismissively?

It’s fairly obvious that Moffat likes to think of himself as a feminist. But anyone who is capable of writing the above moments (and each and every one is from episodes he wrote himself) clearly does not have a good grasp of what feminism is. Perhaps he should have done his research.

(via stfu-moffat)

7 months ago 14,220 notes